When I joined Circle as a product designer, I was hired, in part, for my background in illustration. But that “nice to have” soon became my central focus. I’ve spent years defining and evolving the Circle illustrative brand, cementing its place in our products, website, marketing campaigns, and more.
With the limitations of a small design team, early versions of Circle Pay primarily relied upon off-the-shelf icon sets. But after I joined and began creating illustrations for product and brand, I soon set my sights on icons. I made a few as needed, but replacing the old set entirely wasn't worth the design and development commitment. But with Circle Invest, I was there from the beginning.
As a financial tech startup, Circle’s apps have always needed to represent currency. Circle Pay got its start as a Bitcoin wallet, and within a couple years added US Dollars, British Pounds, and Euros. Custom icons were made for these four currencies, showing up throughout the app and its marketing.
But Circle Invest called for even more. The app offers _thirteen_ different crypto assets. Presenting these disparate crypto projects in a coherent and consistent way would advance Invest's mission to make crypto more approachable. I set out to create a unified set of crypto icons. Easier said than done…
For more than 80 years, Titleist has made “the #1 ball in golf.” The storied company came to Fresh Tilled Soil with a website that had grown too cumbersome; it was inflexible, mobile unfriendly, and in need of a visual and UX overhaul. Our team set out to craft a modern, fully responsive site that captured the brand’s timeless classicism. I worked alongside some of Fresh Tilled Soil's most senior creative talent, and contributed to the project's visual design, conceptual development, wireframing, prototyping, icon design, and more.
In partnership with Art of Context and Massport, Fresh Tilled Soil overhauled the terminal maps for Boston Logan International Airport. I was proud to lead the design efforts, using our human-centered design process to create entirely new mapping assets that have since been used by tens of millions of travelers.
Rethink Robotics makes extraordinary robots for manufacturing and scientific research. At the company’s core is a profound vision of the relationship between humans and robots, and no wonder—co-founder Rodney Brooks is a robotics pioneer. That vision, however, was lost in its website, buried by a complex information architecture and unfocused design.
The site Fresh Tilled Soil crafted better illustrates Rethink’s compelling narrative and serves as a flexible platform for their future growth. I led the design and storytelling efforts, Hamy Pham and Kristy Stetson provided design support (as well as photography and information architecture expertise, respectively), and Sarah Canieso and Dave Romero spearheaded development, from the responsive front-end to the highly customized Wordpress installation. The full story is available in a Fresh Tilled Soil case study.
While the overall design effort was highly collaborative, there is one corner of the work I can call my own: the iconography.
Communicating the immense potential of Rethink’s flagship robot, Baxter, had historically proven challenging. First, Baxter rarely replaces an existing machine in a simple one-two swap. It’s a highly flexible robot that excels at mimicing the repetitive, manual tasks often relegated to low-level line workers. Adding Baxter necessitates creative thinking, shifting the production line around to best capitalize on its unique strengths. Second, Rethink’s sales team found that many prospects saw themselves in narrow terms. When shown examples of Baxter working in factories or situations that didn’t closely match their own, many potential clients said “Baxter isn’t for me,” and the deal was lost.
Custom iconography paired with clean storytelling helped to bridge these communication gaps. We worked with Rethink’s team to identify Baxter’s five primary applications: kitting, packaging, loading & unloading, machine tending, and material handling. The icons I developed over countless rounds of paper sketching and vector tweaking lack any suggestion of a specific product or material. Given that Baxter’s “hands” are interchangeable (grabbing pincers may be swapped out for vacuum suckers), I even removed any suggestion of the robot itself, instead focusing on the action it takes. The resulting icons appear throughout the site, paired with short descriptive text and tightly shot videos that focus on interaction over environment.
Shown below are just a few of the countless variations created during the iterative design process, as well as a handful that are found elsewhere on the website.
Rethink Robotics is pioneering the future of robotics in manufacturing and research, and it was a real joy and honor to work with their team.
More Design Projects
The team at MoveableCode saw an opportunity: technology could enable new directions in storytelling and gaming, using the virtual to connect us with our physical world like never before. The result was Incantor, an innovative mobile game that sought to make magic real. Along with my colleagues at Fresh Tilled Soil, I helped to refine and design the game, from its mechanics and mythology to its unique visual language.